Painter Georges Braque’s works
Relatively speaking, Braque’s decomposition in the picture for objects’ image, was more extreme than Picasso. Mostly this analysis form experiments were taken in his still life. This may be because his still life was less constrained. In the ManTuoLing " still life
portrait painting, the shape and color of the waves surrounded instruments, subduction in the face, colour and rhythm’s vibration, all elements sang with shadow, light, reflection ,having the characteristics of the stereo .The diffuse light, those tilted toward and around block surface, echo with each other. And that truly can make many visual elements to unify, was the ManTuoLing’s circular aperture in the heart of the picture, This dark graphics is the intersect center that all cross cross-court. In the colors of the painting, still simple as the colour of his early works, however, on the basis of not breaking its simplicity idiosyncratic, it appeared more lively and abound changed .
In 1910, Braque had ever drew a nail in a painting titled "the violin and water tank” top of the still life
portrait painting, with vivid illustration, thus made the painting look like hanging in this nail generally. such problems have been attacked by the Press then. However, the great action had been followed by the cubism painters . Since then, Braque put letters and Numbers as a motif introducing them into pictures but in the picture painted enough genuine false wood and false marble. Then later, he, simply more further, directly covered with the real thing (usually pieces of paper, wood, etc.). in this way, this comprehensive cubism painting language had been born.
The brakke’s collage creation, began from 1912. He tried strengthen picture composition effects through a series of piecing up of abstract graphics. His production process became more and more concise, bold, works effect became more ever increasingly and directly, clear. from abstract , he started slowly turning in the emerging of abstraction, looking for his theme in figurative graphics . His collage, except by disc, very rarely used other materials. Such unqualified material people often referred to a gave the brakke’s "building painting" creation great convenience.
Braque’s collage was his 1913
portrait painting “the clarinet ", his masterpiece. He gave out a group of simple shape in central picture with wood grosgrain paper, newspapers and colored paper , and with a pencil delineated lines and shadows in this shape group around. Here, the ingredients object-image and subjective created mutual fusion, resulting in a kind of modelling value and tenderness though accidental but convincing. In this simple and exact picture structure, each visual elements, whether different pieces of paper or light outlined lines, had become a symbol. Those lines made clipped graphics get some dependence and meaning, even can let a person comprehend some spirit connotation. Through collecting and sticking, artists showed the viewer some forgotten performance factors by people, especially aesthetic feeling on the material and colour. This is obviously greatly different from the analysis cubism style.
This work, also showed Braque the surprising control and processing picture space ability. If we say, the processing of space in the analytical cubism work showed feeling and vitality, so now in this so-called integrated cubism exploring, the
portrait painting pictures revealed a combination of a strange and stable static trend. all graphics in the painting gathered in the centre of the picture. With a light but quite sure line, surrounding the group prayer-book piecing up graphics, painter thus further strengthened the centripetal force of the picture, which effectively stopped all movement which may surpass the limitations, making any detail seemed threatened out of its force turn back.
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